NEW MUSIC MONDAYS. Genre-bending flavors abound with new projects from Alex Isley, Terrace Martin, Son Little, Ego Ella May and more…

Written on 03/23/2026
Anthony Foster

For your New Music Monday on HYFIN, we are zeroing in on the most impactful, genre-blurring projects that landed on Friday, March 20, 2026. These nine LPs and EPs represent the full spectrum of the Urban Alternative movement—from the sophisticated jazz-funk of Los Angeles to the minimalist, avant-garde soul of South London.

Here are your deep-dive reviews for today’s rotation from your good firnds at HYFIN:

Alex Isley – When The City Sleeps 

(Free Lunch / Warner Records) 

Alex Isley’s major-label debut is an expansive, 15-track masterclass in modern “quiet storm” and atmospheric soul that serves as a cinematic love letter to her Los Angeles roots. Featuring production from heavyweights like D’Mile, Kaytranada, and her long-time collaborator Jack Dine, the album moves with an unhurried, lush elegance that bridges the gap between the jazz-inflected legacy of her family and the forward-thinking R&B of the 2020s. It is a cohesive journey designed for late-night drives and deep reflection, cementing Isley as one of the premier architects of the new soul era who refuses to sacrifice live instrumentation for digital convenience.

Mike WiLL Made-It – R3SET

(Ear Drummers / Giant Music) 

The legendary Atlanta producer returns with a sonic manifesto that aims to “reset” the current trajectory of hip-hop by prioritizing elite lyricism and iconic, sample-heavy production over fleeting trends. R3SET is a star-studded summit that balances high-octane trap anthems with deep-pocket, soulful experimentation, featuring standout performances from Killer Mike, 21 Savage, and the unmistakable grit of CeeLo Green. The project is a reminder of Mike WiLL’s foundational influence on the Urban Alternative sound, proving he can still command a room while pushing the boundaries of what a “producer album” can achieve in 2026.

Ego Ella May – Good Intentions

(Independent / Believe)

Six years after her groundbreaking debut, the South-East London visionary delivers a sophomore effort rooted in profound conviction and rhythmic vulnerability. Good Intentions is a dense, rewarding listen that leans heavily into “negative space,” using sparse, jazz-inflected instrumentation to highlight May’s honeyed, British-Nigerian vocal delivery and intellectually sharp lyricism. The album explores the complexities of self-preservation and spiritual growth in a hyper-connected age, serving as a vital example of how independent soul artists are reclaiming the narrative and setting their own sonic pace.

Son Little – Cityfolk

(ANTI- Records) 

Son Little continues his streak of “blues-from-the-future” with a project that is as raw as it is refined, capturing a signature sound that feels both like a dusty crate-digging find and an urgent modern transmission. Cityfolk intentionally strips back the layers of production to focus on the magnetic interplay between Little’s gritty, weathered vocals and his masterful, percussive guitar work. It is a rhythmic reflection on finding sanctuary within urban chaos, blending elements of folk, soul, and vintage funk into a seamless, genre-blind experience that remains one of the most honest entries in the 2026 alternative landscape.

Lebra Jolie – Better Than Yesterday

(Interscope Records)

Texas standout Lebra Jolie delivers a high-energy LP that balances raw Southern rap grit with a polished, contemporary R&B sensibility, reflecting her journey from a viral sensation to a formidable industry force. The project is a celebration of resilience, elevation, and unapologetic Black womanhood that fits perfectly into the high-frequency energy of the HYFIN midday drive. With tracks that range from bass-heavy club anthems to more melodic, introspective cuts, Jolie proves she is an artist who refuses to be boxed into a single lane, offering a versatile soundtrack for the modern hustle.

Terrace Martin – PERSPECTIVE

(Sounds of Crenshaw / EMPIRE)

 A frequent collaborator with legends like Kendrick Lamar and Herbie Hancock, Terrace Martin steps into the spotlight with a rich, jazz-funk odyssey created in tandem with the prolific Hit-Boy. PERSPECTIVE is a lush instrumental and vocal tapestry that honors the deep lineage of West Coast soul while fearlessly pushing into experimental, avant-garde territory. It is an essential spin for those who appreciate the complexity of live horn sections and deep-pocket grooves that feel both cinematic and street-level, solidifying Martin’s role as a primary bridge between the jazz greats of the past and the innovators of the future.

Vianna Rose – Echoes of Time (EP)

(Music Enterprises Inc.)

A stunning four-track tribute to the soul and blues catalogs of the Gulf Coast, this EP finds Vianna Rose breathing new life into timeless compositions with a fierce modern energy. Rose reinterprets classic arrangements—originally forged in the fires of 1960s Southern soul—through a powerhouse vocal lens that is both technically perfect and emotionally raw. The project acts as a vital bridge between the foundational era of American music and the 2026 Urban Alternative movement, ensuring that the spirit of the “soul sister” remains a dominant force on the modern airwaves.

Naomi Scott – F.I.G.

(Alter Music)

 The British singer-songwriter makes a triumphant return to her musical roots with F.I.G. (Fall Into Grace), an album that leans heavily into sophisticated pop-soul and experimental R&B textures. Driven by intricate vocal arrangements and a rhythmic backbone that feels both globally influenced and deeply intimate, the record is a vulnerable exploration of identity, faith, and the beauty of human imperfection. It is a standout release that highlights Scott’s evolution as a formidable self-contained artist who is capable of writing, producing, and performing at the highest level of the alternative soul spectrum.

Joel Ross – Gospel Music

(Blue Note Records) 

The visionary vibraphonist returns with an album that explores the profound intersection of modern jazz, Black spiritual traditions, and syncopated funk rhythms. Gospel Musicis a deeply percussive and melodic project that highlights Ross’s unparalleled musicianship while inviting the listener into a communal space of healing and reflection. By blending the avant-garde with the familiar warmth of the church, Ross offers a sophisticated, high-brow listening experience that perfectly rounds out the diversity of the HYFIN library, proving that jazz remains a vital, living breathing pillar of Black culture in 2026.

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